There was something unsettling about the interaction between Roger Federer and Novak Djokovic in 2015, but it's hard to put my finger on it. Every double act has a straight man and a comic: the straight man says, "Go and fetch me the morning paper," and the comic promptly slips on a banana peel on the way, and gets the big laugh. It works because it's like Japanese pantomime - we all know what's going to happen before the curtain goes up, but (1) we stay for the show from start to finish and (2) take a kind of sadistic pleasure in the exasperation of one and the desperate futility of the other. We know the names of the ball players are Who, What and I Don't Know, but that leaves us no less capable of resisting the sweet misery of Bud Abbott trying to explain that to the dimwitted and the intellectually fleeced Lou Costello. Along the way, we suspend our disbelief of the absurdity of it, with the inutility of skepticism essential to enjoyment of the ruse.
But the curious case of Nole and Rog in 2015 makes me wonder exactly which one of these two titans in the tennis kingdom of heaven is playing the stooge?
Watching the way, the closest thing Djokovic had to a rivalry this season, played itself out, I am struck by the near certainty with which both players play their part in the intrigue sans script, but no less assuredly than one might expect with one. Their first encounter in Dubai led some to believe that Federer was on the ascendency, that he had reversed whatever deleterious effect Djokovic's win at Wimbledon may have had on the ethereal realm of his confidence. But that dissipated so quickly, with his nearly complete and feckless capitulation at Indian Wells, that one couldn't help but wonder if the Djoker had, in fact, left something in the tank in the middle eastern desert, knowing full well that the Californian desert is the only one that really matters in the spring.
They didn't meet again until Wimbledon, and in a rematch of last year's epic final, this year's turned out to be infinitely less dramatic but no less compelling. Victory seemed certain almost from the first long rally that turned from Federer's favor to the Djoker's. And that sinking feeling that Fed-fans get when the Serb has decided he'd rather lose to anyone but their immortal beloved, would have moved from a subtle flutter in the stomach to a lead lump in the throat, as General Federer made his last stand in the 4th set at SW19. Somewhere the ghost of Sitting Bull was having the last laugh all over again. Though in some ways Roger was playing better than the year before, there was never really a moment in that match where the perception of a momentum change was anything more than wishful thinking.
Then came the revelation of the SABR (Sneak Attack by Roger) in Cincinnati - another of Roger's watering holes that's good for a laugh, particularly at the expense of the vast majority of his contemporaries. There he humiliated one player after another with not only this cheeky new "weapon", but also a brazen display of genetic superiority to those young affections that gape to be his heir. Feliciano Lopez profanely played the part of the stupefied stooge, who yet again thought he had a shot at his Bugs Bunny, only to discover that the proverbial rabbit out of the top hat was a combination of the new racquet, the new coach, the new backhand...and the old superiority that once again insisted on imposing itself. Even the Djoker, who would certainly have been fatigued from all those weeks of rest post Wimbledon - what with changing diapers and posting pics on twitter/facebook/instagram, and any other (wrong) place he might be looking for love - was compelled to succumb to his Hairness.
Though they've seen him do it before, and in all likelihood he'll do it again, the popularity of the most popular girl guy at the ball tournament (and as always, in the world of tennis) engulfed that poor Serbian boy who's allergic to something that everyone's heard of, but nobody really knows what it is, and just once, just once, wants to be revered as something other than the straight man. But I wonder if he isn't the stooge? After all the machinations and success, the clothes, the sense of humor, the talk shows, the dancing and the jokes...after all the jokes, for god's sake? It just takes one Lucy shaped shaped Swiss guy with a little talent and some high class friends, to pull that football away from his oncoming kick, sending him flailing in the air like a rag doll, and make it all for naught. In the end, in this tennis town (by which I mean planet Earth) there really isn't enough room for anyone not named Roger Federer.
And yet, like a good stooge, he continues to try...
Nadal sucked the air out of the (newly half-roofed) room at Flushing Meadows, by losing to some crazy Italian bloke, who himself was usurped by his own tender Juliette's unexpected victory and confusing retirement. Though her countrywoman slew the giant with a thousand cuts, she needed a 1,001 to complete the insanely unlikely story, and unfortunately it was one blow more than she had at her disposal. And while the rest of the tennis universe (and the celebrity one) pined openly for the coronation of a grand queen for the first time in 27 years, poor Nole toiled in near anonymity, bludgeoning and sliding his way through a field of paltry challengers, including the defending champion, who had nothing but the best of intentions and the worst of capacities. Try as they may, the immovable object had already met the irresistible force, and combined to form the 2015 Novak Djokovic - the most dominant tennis player in the open era.
Nevertheless, the final was highly anticipated - the one that we came so tantalizingly close to before King (for a day) Kei and (Cheech) Marin Cilic really overstayed their welcomes in last years final installment of the Grand Slam quadrilogy. Finally, we would have our real drama, with a palpable belief on the part of everyone except the one that needed it the most, that the grey men of the tennisocracy so desperately wanted and needed. Elmer Federer just may finally catch that rascally rabbit. And in that duel between the only two men that anyone truly believed had a shot at the title in the first place, we would finally have our unexpected result.
But the pantomime returned, the stooge slipped on the banana peel and the audience went home knowing nothing more than what they did at the start of the fortnight. The Reign of Terror that is the dominance of Novak Djokovic continues until he no longer possesses the means or the desire to occupy the throne. Though they bayed for his blood like sanguine plebeians at the Colosseum, the result only made more stark the contrast between good and evil, by the script of this running gag, that the game has been teasing us with for the last two years. No matter how desperately we want it to be so, nobody is beating Novak Djokovic in 2015 except maybe...well, Novak Djokovic.
Then, like Alexander, he travelled to edge of the known tennis world to that relic of yore in Shanghai, and (once again) conquered his tartan nemesis, leaving no doubt that the future is dark if your hopes for a respite from his tyranny would come in the form of a soft Glaswegian brogue. And after an inexplicable capitulation to the wrong Spaniard, Federer regained his composure in his backyard, and proceeded to painstakingly lumber through 3 sets to get the wrong result over the right Spaniard who despite his anno terribilis in 2015, still seemed genuinely convinced that he should have won the match, and was rightfully disappointed that he didn't. This time, Wily Coyote finally caught the rabbit, and he went (back) to London brimming with all the confidence that his newly expanded bubble reputation could afford.
There he cashed that Czech who has no business beating him, but seems to do just that with irritating frequency, before proceeding to sadistically set us up one last time. He beat Djokovic so handily in their round robin match, that the man felt compelled to state the obvious (much to Roger's chagrin) - despite assurances to the contrary, the match had been handed to Federer on a silver platter. It even smacked of sour grapes to some, but as the wheels started to come loose against a plucky Nishikori, then in a sloppy but tactical win over his countryman, the ugly truth began to take shape. Still, having experienced the dramatic manner in which Wawrinka bludgeoned his way to within 3 or 4 match points of a well deserved victory last year (ironically spurred on by the unseemly goading of Lady McFederer) this year's victory over his countryman gave us pause. Could this year's final be the crescendo that everyone expected last year?
It was anything but.
So there we were, at the World Tour Finals of 2015, expecting once again to be dazzled by the chance of a new generation of this rivalry, one that appeared less as pantomime than genuine drama. The intrigue ratcheted up by a startling result in the round robin, a catty long distance exchange over perceptions of this result, and on the back of a 3rd victory over the young king (as many as the rest of the world combined), the trap door once again opened at the final step, and enveloped not only Roger Federer, but the hopes of his fans, and any remaining doubt that in this now sad tale: his only victories are those that count less than the defeats. Once again, the straight man was set up for a comedic finish that left us crying with laughter, with the coup de grace coming in two uneventful sets...in London.
I am reminded of the final scene of "Pulp Fiction" when Jules Winnfield calmly explains to the gentle thief at his disposal, that through the comedy of errors that brought them to the denouement, he realized that his initial interpretation of his own preamble to murder (which is not actually in the bible, by the way) was faulty. In fact the biblical joke was on him: he was neither the righteous man navigating the iniquities of the selfish, nor the shepherd of the weak through the valley of darkness...he was in fact the tyranny of evil men.
I mention this because the entire year, thinking of what passes for a rivalry between Federer and Djokovic, I know it's a damn pantomime, but I've been trying to figure out which one is the stooge? Is it Federer, who like Indiana Jones, gets his hand on the golden idol, only to have it taken from him by his own personal Belloq? Or is it poor Nole, who every time he thinks he's going to break through and reach the pantheon of fandom, not only of the tennis world, but of tennis heaven, where he is revered with equally rapturous fervor as his own personal Zeus - only to be kicked down the side of Mount Olympus once again?
No, like Jules Winnfield, the joke is on us - the vein slapping addicts of sporting drama, desperate to see something other than what we know, in our heart of hearts, is always going to be the same result. We look around the poker table, trying, in vain, to figure out who the sucker is.
The truth is that as long as Nole wishes it so, it is us.
Nope, I'm not writing a column about golf's version of Wimbledon - I'm talking about the year-end championships that used to have all the cachet of a major, and had the one thing that the modern incarnation does not - interest outside of tennis.
The year-end championships of tennis have gone through so many iterations over the years, it's hard, even for the most ardent fan, to keep track of what it has been and become over the years. So imagine the difficulty of getting space "above the fold" in major sports media today, which is the surest measure of the popularity of the game outside the game.
The ATP World Tour Finals, one of the most idiotically named championships in the history of tennis, is the current version of what used to be known as "The Masters", and until 1990, it was magically more than just a tennis tournament - it was an event that the sports world followed almost as closely as the crowned jewels of the game (the four majors). And in a rare moment of agreement with John McEnroe, I think the move away from Madison Square Garden was the beginning of the end for the luster that once accompanied the event.
Of course, in his native-New Yorker narcissism, he thinks the answer is to move it back to the Garden, and while I think he's on the right track (and wouldn't necessarily disagree with such a move), I think the event is missing something that the other majors have in abundance - an identity. And it is by finding its identity that I think this once great sporting event can return to the pantheon of great sporting events, where it belongs.
In 1970, two years following the advent of open tennis, Grand Prix tennis had been initiated with the help of Jack Kramer, as an answer to the disparate hodge-podge of semi-professional circuits controlled by anyone with enough money to cobble together what passed as a tour. It competed with the WCT championships held in Dallas, which was based on results from the WCT tour, a tour run by Lamar Hunt as an answer to the open invitation to Grand Prix tennis which was controlled by the International Lawn Tennis Federation (ILTF - the ancestor of the modern ITF).
The first year-end championships were held in Tokyo, which happened to be the highest bidder, and in their never ending, insatiable appetite for a bigger payday, the event moved six times in six years, to tennis hotbeds such as Paris, Barcelona, Boston, Melbourne and Houston - where it promptly had a problem.
Nobody outside of tennis particularly cared about the event because the rules for qualification, the format of the tournament itself, and the players that participated, were about as reliable as predictions of the weather. In the end, the perceived value of the tournament, outside of tennis, suffered badly, and so too did the event.
Then in 1977, somebody came up with a brilliant idea - bring the mountain to Moses. For the first time in a string of 13 glorious years, the Masters was played at Madison Square Garden - then the mecca of sports entertainment - and with it came all the cachet the tournament could hope for. Sure, along the way there were questions about the format, the rules of qualification, and of course the quality of the tennis. As a matter of fact, very often the tournament was played in the year after the year for which qualification was determined - so late it was in the tennis calendar. And complaints about injuries and fatigue were seen as just a subterfuge for players to tank some matches in favor of bigger fish to fry.
Nevertheless it was an event that people outside of tennis covered with almost as much gusto as the majors. And why wouldn't they - initially the popularity of Connors, Borg and Vilas, would give way to the triumvirate of Connors, Borg and McEnroe, and then Connors, McEnroe and Lendl. In all three cases, the differences in personalities and the personal conflicts between some or all the heads of the tennis families provided the base, spine and glitter to make it a great event. But as the top players got old, retired, or lost their personal animus towards one another, the event petered. And as playing at Madison Square Garden had less and less of a cachet, the brilliant minds at the newly anointed emperors of tennis (the ATP tour) decided to chase the money and move the event in 1990 to, where else...Frankfurt.
Huh?
That's right, given that the game's dominant players were becoming predominantly European, and given the money they offered to host the tournament, Germany became the new mecca of tennis. First it was Frankfurt from 1990 to 1995, then that other internationally known metropolis, Hanover, hosted the event for a stretch from 1995 to 1999. And as you might expect, despite the star power of Andre Agassi, Pete Sampras and everyone else, the tournament slowly lost its identify, and as a result (in my opinion) its luster outside of tennis.
Along the way, it just so happened that when the ITF was frozen out of control of everything but the majors and Davis Cup, they decided (quite rightly) there was a gaping hole that they could fill, and promptly initiated a competing year-end championship called the Grand Slam Cup. And because one thing the ITF is very good at is hiding behind its tradition, they at least had the good sense to keep it in Munich for nine years from 1990 to 1999 as well (although they couldn't resist locating the tournament in Germany - where the money obviously was at the time). The other thing they're good at is hiding in front of prize money, but this time, they smartened up and put up an astronomical $3M payday to the winner of the Grand Slam Cup if they also happened to win a slam that same year. At the time, this was an astronomical sum of money - more than any of the majors, and way more than the ATP Tour World Championships.
As the ATP's year end championships slowly but surely caught up with the prize money of the Grand Slam Cup (money problems caused them to reduce their prize money to make it closer to the ATP's season finale), the latter suffered, and had to change when the event was held, as well as include a women's championship for two years 1998 and 1999 (both not surprisingly won by Venus Williams and Serena Williams respectively), in an effort to remain relevant. It didn't, and eventually was subsumed by the Tennis Masters Cup in 2000 - itself an homage to both year-end championships. They all figured half of a big pot of money is better than all of a small one, so they did the only sensible thing and merged.
But once the Masters moved from MSG, and the Grand Slam Cup lost its purely capitalist appeal, what was left was an event that served as nothing more than a book-end to the ATP tour's nine flagship events, and an anti-climactic denouement to the year's major quadrilogy. This interested nobody beyond the game. Within the game, it can be argued that the importance of the tournament was not only maintained, but improved. After all, points started to count towards ranking and the money was hard to ignore. But something was missing...an identity.
So here's my solution.
If this tournament is really all about (dare I say it) the money, then don't be ashamed of it - embrace it! Put the prize money at $10M for the winner if he is both a grand slam champion and finishes the year ranked #1 - you could clip off $2M for each of the two conditional compensations, and simply call the winner, if it happens to be someone like Nikolay Davydenko (instead of Federer, Nadal or Djokovic), the $6 million dollar man...I'm only half joking, by the way.
Also, they should put it at the same venue and leave it there for at least 10 years (in fact if they had a brain, would build a venue that they could keep it there forever). That way, the event and the venue would both benefit from the cachet of the other, and would help to perpetuate the other's viability. This business of chasing the money by changing the location every time someone shows up with a bigger check is the very reason that the women are now furtively begging to join the men at the O2. Although the venue is new, it has sufficient razamatazz to be an event in and of itself. The problem is that, at the moment, it's carrying the tennis. They should each do their own share of the heavy lifting and that's where the last component would come in.
Put the points to the champion on par with winning a major and make the final a 5-set match. Then the money and the points won't seem to have been capriciously handed out to someone who got hot for 8 sets. Making the final a 5-set match, and putting major-level points on the table would be the final piece to the puzzle making this tournament everything it should be both inside and outside of tennis.
So, $10M to the winner, major-level points, a consistent venue and a 5-set final. Now who could ignore that?
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